Journal Article
With Shuang Sun, Yunfeng Nie, Yang Li, Liya Zhu, Xianyong Cao, Hongwei Ma, Yan Li, Hong Wang, Ke Hu, and Yin Lu. “A 1000-Year Extreme Flooding Record Reveals Contrasting Roles of Climate Aridification and Humanity in Driving Basin Erosion and Sedimentation,” Global and Planetary Change. (Published online first; as the second author).
“Hideo Fukumi: Medical Research in the Shadow of Biological Warfare,” Journal of Medical Biography 32.2 (2024): 194–204. (Published online 2023).
Co-authored with Louise Lee, Jenny Yee, and Stella Lau, “Co-archiving a Ballet Repertory Course during the COVID-19 Pandemic,” Journal of Dance Education 24.4 (2024): 263–275. (Published online 2022; as the corresponding author).
(In Chinese) “壓抑的言語與再造的身體：《香‧夭》重演之過程及其評論” [Repressed Words and Renovated Bodies: The Extended Version of Requiem HK], 文化研究 [Router: A Journal of Cultural Studies] 28 (Spring 2019): 187–212.
(In Chinese) “「身」「 聲」不息：論高行健的多聲部戲劇實踐和理論” [Move the Body to the Melody: the Practice and Theory of Gao Xingjian’s Multivocal Theatre], 大戲劇論壇 [Theatre Forum] 8: 156–186, Beijing 北京: Zhongguo chuanmei daxue chubanshe 中國傳媒大學出版社, 2019.
(In Chinese) “雨傘運動後的流感隱喻及其來源” [Influenza as Metaphor after Umbrella Movement and Its Origin], 台灣社會研究季刊 [Taiwan: A Radical Quarterly in Social Studies] 111 (December 2018): 109–162.
Chapter
With Elysa Wendi and Emilie Sin-yi Choi. “Introduction.” In Still Jumping: Mediated Performance and Moving Image Across Asia and the Global Stage 2004–2024, edited by Dong Xianliang, Elysa Wendi, and Emilie Choi Sin-yi. Hong Kong: Typesetter Publishing, 2025.
“Jumping Frames as a Screendance Festival: A Historical Overview (2004–2024).” In Still Jumping: Mediated Performance and Moving Image Across Asia and the Global Stage 2004–2024, edited by Xianliang Dong, Elysa Wendi, and Emilie Sin-yi Choi. Hong Kong: Typesetter Publishing, 2025.
(In Chinese) “福見秀雄：醫學研究與戰爭陰影” [Hideo Fukumi: Medical Research and the Shadow of War]. In 鑽燧薪傳：香港城市大學中文及歷史學系研究生論文集 [Exploration and Legacy: Collected Papers on Chinese Literature and History], vol. 1, edited by Fan Ka Wai, 177–214. Hong Kong: Chung Hwa Book Company. Chinese translation and revised version of the article published in the Journal of Medical Biography.
(Bilingual) “史料價值與過程批判：「研究計劃：香港舞蹈口述歷史」” [The Value of Historical Materials and Criticism on the Archival Process: ‘Research Project — Oral History of Hong Kong Dance Development’], 香港舞蹈概述 2018 [Hong Kong Dance Overview 2018], edited by Felix Chan, Evelyne Wong, and Joanna Lee, 34–45. Hong Kong: Felixism Creation, 2021.
With Xiaoye Zhang, “The Archived Criminal: Mandatory Prisoner Autobiography in China,” in The Emerald Handbook of Narrative Criminology, edited by Jennifer Fleetwood, Lois Presser, Sveinung Sandberg, and Thomas Ugelvik, 427–444. Bingley: Emerald Publishing Limited, 2019.
Interview
(Bilingual) “城市當代舞蹈團服裝部的口述歷史” [Looking Back over the History of the Wardrobe Department of City Contemporary Dance Company in Conversation with Wardrobe Manager Linda Lee], 舞蹈手札 [Dance Journal/HK] 24.2 (Apr • May • Jun 2022): 12–17.
Review
(In Chinese) “要呼吸？還是面子？——在新冠肺炎的時代重讀麻風” [To Breath? Or to Keep Mianzi? Reread Leprosy in Coronavirus Era], 文化研究 [Router: A Journal of Cultural Studies] 31 (Fall 2020): 276–282.
(In Chinese) “衰老的想像：記《男生》的二十一歲” [Imaging Aging or Fade Imagination: Rethinking Criticisms ofBoy Story], 文化研究季刊 [Cultural Studies Quarterly] 161 (March 2018): 60–64.